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January 6, 2008

National Gallery Promises Rich and Attractive Programme



Ljubljana, 6 January - The National Gallery in Ljubljana has prepared a rich and attractive programme" for the 2009 season, which will open with a memorial exhibition
upon the 100th anniversary of birth of Slovenian painter and graphics artist Zoran Music (1909-2005), National Gallery director Barbara Jaki has told STA.

According to Jaki, Music was vitally connected with the National Gallery in his latest
period and this connection, as well as several of Music's works from this period, will be
presented in the gallery.

An extensive interdisciplinary exhibition on Francesco Robba (1698-1757) and his
Fountain of Three Carniolan Rivers, which has been restored and put on permanent
display in the National Gallery last September, will follow.

In April, the gallery will host the National Museum from Warsaw with the most important
Polish authors from the turn of the 19th century, while the famous Uffizi Museum from
Florence will present in October the dilemma between reason and sentiment, the
fundamental dilemma from the end of the 18th, with an exhibition of self-portraits.
According to Jaki, Slovenian heritage will be presented with two exhibitions - an artistic
profile of the northeastern region of Prekmurje from romanticism to modernism and an
exhibition of drawing in Slovenia between realism and the Second World War.

The new season will conclude with an exhibition on sculptor Alojz Gangl, the author of
the monument to poet and author Valentin Vodnik at the Ljubljana market and the
monument to scholar Janez Vajkard Valvasor in front of the National Gallery.

The exhibition entitled "Slovenian Impressionists and Their Time 1890-1920", which
opened last year and will be on show until 8 February, has so far been seen by 70,000
visitors, said Jaki, adding that the gallery expected another 20,000.

"The fact that other exhibitions with similar topics did not see such a record visit tells
that our decision to present impressionist painting in a wider artistic, social and
historical context was the right one," said the director.